My guess is EBMM uses a form of the vintage design, too. it slits the neck in two halves and put in the rod so there's no skank stripe. Now leo invented a new technique call bi-cut at G&L. Most american highend brands use some form of the vintage design for this precise reason, Bender, gibby, anderson, suhr and G&L. Now some may say in hi-gain situations that loose feel becomes muddiness but the clean tone is night and day different. their acoustic sound and vibration are far better than others. I don't mean to be a b*tch about this trivial detail, but I have 5 bolt-on guitars and two of them are Benders with vintage necks.
it could be two rods (warmoth), a rod and an aluminum slot (jackson u-beam) or a rod and a thinner beam (ibanez, I think). you see the main difference is, do you press the wood with a piece of metal (vintage design) or you press metal with another piece of metal (modern design).
Well, as far as the warmoth double rods go, they are DEADLY stable more due to the rods. Rarely requires adjustment (this has a lot to do with the stability of the wood-THICK rosewood board and maple neck)I'm glad this thread finally caught some attention! I have a Warmoth with a Double rod type truus and it's DEADLY stable. A SMALL adjustment translates into a significant neck adjustment.
Fingerboard appears to be about 3/8 in thick.Īs far as the truss rod is concerned, I'm not sure. Look CAREFULLY up and down the entire length of the neck on both sides of the fingerboard. It's not a one piece neck-it's just an exceptionally good match.
0 kommentar(er)
